Nina's

Ladies & Gents! After several months of waiting and about 90 pure handmade working hours; I'm proud to present the newest creation by yours truly! A project for the amazingly beautiful Niina, from the fashion blog Nelliinan vaatehuone.

*Drum roll...*

Nina's

I think I was quite obedient to the original drawing, though some changes did occur. Naturally :)

Taken from her blog (28.2.2012): here.

Taken from her blog (26.10.2012): here.

Materials:

• Collar: Black suede with a black sheep nappa lining
• Bow: Black patent leather ring with black alcantara bows.
• Uppers: Cream white nubuck, Black patent leather.
• Heel: Black patent leather covered plastic heel.
• Sole: Vegetable tanned leather with an black 4mm rubber half sole.

What can I say? Well, I'm pretty satisfied with the outcome, being my first bespoke high heels... I'd say I'm REALLY pleased. There's a million little things that could've gone better, but then again a million little things that I learned. So that's a alot! 

I'll update images of Niina wearing them from her posts later on.
One can only say: Tally hooooo!

Making Bespoke High heels - Part 8 The Insole and Heel

Well, before lasting, one has to have an insole. Insole creates a spine on which the other components are fastened. By various methods I might add. My method is the cemented (glued) structure, which originates from around the middle part of the last century. It's quite modern, but one of the most common structures these days. The  gentleman with an keen eye on quality dress shoes despises this structure, but to my mind it's well fitting for ladies shoes. Although there's only the adhesive (another english word for glue ;) that keeps the structure together, it's a long lasting shoe construct that's quite easy to repair and faster to make too.

Back to business:

First to draw an approximate outline on a 3mm thick purely oak tanned insanely beautiful german traditional  leather.
Too much adjectives? ;)

After cutting, the pieces are scraped with... a piece of broken glass?
Yes.

Many of you might not know about the great qualities of vegetable tanned leather: it might be quite stiff when dry like this type of leather I'm using, but after soaking them in water they turn into the mother of all elastics and completely formable. A beautiful traditional material. <Sorry for the blurry pic!>

The wet leather is fastened with nails to the last.

A carefully applied rubber band.

Voilá! All wrapped and left to dry to shape.

To add some modern high tech; I put the first supportive layer out of 0,8mm carbon fibre plate. Heat formable stuff.

And because with high heels the arch needs to be as stiff as possible, I'm going for the ultimate. I'll laminate this piece of steel between two layers of carbon fibre.

Sadly, I didn't have any more detailed images on the actual process of making these.
But here's one, all ready for action. You can see that right after the heel part the edge is trimmed almost to zero. But there's a heavier supportive ridge at the center, which you can see better in the picture below.

A bottom view. The steel shank is laminated within those layers of carbon fibre.
And the heel is what I actually worked on for a full day's worth of time... For nothing. I found a perfect match for these lasts from a box. At my work. Perfect. That was a bit annoying. All that work for nothing.

Another rub of salt on my broken nerves.

And these are the babies I found. I've done some grinding on the top parts only. To get them fitting perfectly to the insole.

Next, it's lasting for sure :) See you soon!

Making High Heel Boots - Part 3 The first mockup

Seriously, I'm so unsure about these lasts, that a second mockup is due for sure. It could of course be the voice of uncertainty, since it's my first bespoke high heel creation. Which is perfectly natural :)
Anywayhoo, today's program consists of first cutting away those individual pattern pieces from the basic design that my colleague Mr. Master Shoemaker Joonas conjured on the cardboard. Then it's leather cutting, leather skiving (=making the edges gradually thin, wherever needed), gluing & sewing and finally lasting these babies to see how they end up. It's ever so exciting!

First, I had to add more lines to the design :) Like allowances and such.

Here's a nifty tool: to copy the shapes from the design, you simply position another cardboard underneath it and start rolling that baby. Thus, there's a pattern waiting down under.

With necessary markings made, the patterns are cut out with a sharp knife.

And here's all the patterns and some leathers of which I'll do the mockup. A great chance to tryout that red handled clicker's (=upper cutter) knife. The ladies at our shop cut only with scissors, which is also accurate but more slow. Cutting your leathers with a knife is the traditional way to go and will save you a lot of time in contrast to first marking with a pen and then using scissors.

And all the pro's go: he's cutting from the neck!? Yes, dear fellow shoemakers I am. It's a mockup :)
Neck is usually not the best areas to cut your uppers from, since it has these dark stretch marks which you can maybe see in this picture. The best part of a cow is on the lower back and ass area.
On red, you'll see the stretching direction of the  leather on the neck area.
The blue arrows show the direction where we don't want the leather to stretch when compared to the pattern.

Cut away! The blade is amazing! Thanks cordwainertools :)

I took a traditional approach to markings as well: The small hole is made with a sharp spike.

Here's the whole family ready for skiving and sewing.

A close up of the skiving machine. The leather is fed from the left and it leans on the stopper. The foot is adjusted to the required skiving position and the rough stone pushes the leather towards that rotating round blade seen on the right.

Like so.

Voilá!

Some of the edges are contact glued to help sewing.

The glued surfaces are carefully placed together, and it's sewing time.

The shoe industry's special sewing machine with a pole base. This way it's easy to sew uppers which tend to have tight corners and shapes.

I wanted to try out a french fold on the upper part. A small but rewarding detail.

There it is, after 4 hours of manual labour.

A bow tie made with great haste ;)

Before lasting, I'll use contact glue to the upper edges of a heel counter, so I can put some carpenter's glue in between. This way I'll have them hard and durable.

The toe part needs a stiffener too.

Before lasting, the toe cap get's some carpenter's glue.

And it's a wrap! This image tells quite well how the uppers are stretched and attached to the bottom.
For those unfamiliar with the concept of lasting, check out my earlier post about the same subject: here.

Here it be. I managed to accidentally put the zipper to the outer side of the shoe. Oh well,  luckily it's just a mockup.

Back view.

View from the inner side. The cuts need some tweaking.

What say you? ;)